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Richard Lainhart
Analog Synthesis in a Digital World
Learn how Analog synths fit into your modern music production workflow in this amazing tutorial for ALL audio producers.
Richard Lainhart : Analog Synthesis in a Digital World
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01. Introduction
02. Introducing Buchla & Lainhart
03. Types of Modules and Synthesis
04. Generators, Modifiers, and Controllers
05. Waveforms and Oscillators
CH1: Using an Analog Modular Har...
1: An Introduction to Analog Syn...
01. Introduction
02. Introducing Buchla & Lainhart
03. Types of Modules and Synthesis
04. Generators, Modifiers, and Controllers
2: Analog Synthesizer Modules
05. Waveforms and Oscillators
06. Sine Waves and Square Waves
07. Waveshaping
08. All About Noise
3: Controlling and Analog Modula...
09. About Voltage Control and Frequencies
10. Voltage Control from a Battery
11. Sine Wave Modulation
12. Changing the Wave Shape
13. Voltage Control with an Advanced Keyboard Controller
CH2: Waves, Envelopes, and Filte...
4: Moog Modular V Waveforms
14. Introducing Moog Modular V
15. Setting up a Basic Patch
16. Sine Wave vs. Triangular Wave
17. Harmonics and Overtones
18. Square and Sawblade Waves
19. Waveform Review
5: Envelops and VCAs
20. Introducing Envelopes
21. The Waveform Display
22. Acoustic Envelopes: Attack and Decay
23. Acoustic Envelope of a Snare
24. Acoustic Envelope of Horns and Strings
25. Comparing the Acoustic Envelopes
26. Attack with String Instruments
27. ADSR - Attack, Decay, Sustain and Release
28. Attack
29. Decay and Sustain
30. Triggers and Gates
31. Releases and More
32. All Together Now
6: Using Voltage Control Filters
33. Filter Types
34. Using the Low-Pass Filter
35. Assigning Controllers with MIDI Learn
36. Low-Pass Filter Resonance
37. Sawtooths and Extreme Low-Pass Resonance
38. Self-Oscillation
39. Oscillator Modulation
40. Oscillator Modulation with Other Waveshapes
41. The Classic Minimoog Bass - Part 1
42. The Classic Minimoog Bass - Part 2
43. Envelopes for Filter Control
44. Using a Second Envelop for Filtering
45. Summery of Envelop Usage
CH3: More About Filters and FM S...
7: Filters in ES1
46. Velocity Filters
47. Filtering Noise
48. Envelope Following
49. Simulating Wind
8: FM Synthesis in ES2
50. Introduction to the ES2
51. Fundamentals of FM in ES2
52. Vibrato’s and Sidebands
53. Overview of the ES2
54. Definition of a Sideband
55. Harmonic and Inharmonic Overtones
56. Modulation Index and Deviation
57. Multiple Sidebands
58. Simulating Acoustics with Oscillators
59. Using Multiple Envelope Generators
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