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Richard Lainhart
Analog Synthesis in a Digital World
Learn how Analog synths fit into your modern music production workflow in this amazing tutorial for ALL audio producers.
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Richard Lainhart : Analog Synthesis in a Digital World
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Chapter 1: Using an Analog Modular...
1: An Introduction to Analog Synthe...
01. Introduction
02. Introducing Buchla & Lai...
03. Types of Modules and Syn...
04. Generators, Modifiers, a...
2: Analog Synthesizer Modules
05. Waveforms and Oscillator...
06. Sine Waves and Square Wa...
07. Waveshaping
08. All About Noise
3: Controlling and Analog Modular S...
09. About Voltage Control an...
10. Voltage Control from a B...
11. Sine Wave Modulation
12. Changing the Wave Shape
13. Voltage Control with an ...
Chapter 2: Waves, Envelopes, and F...
4: Moog Modular V Waveforms
14. Introducing Moog Modular...
15. Setting up a Basic Patch
16. Sine Wave vs. Triangular...
17. Harmonics and Overtones
18. Square and Sawblade Wave...
19. Waveform Review
5: Envelops and VCAs
20. Introducing Envelopes
21. The Waveform Display
22. Acoustic Envelopes: Atta...
23. Acoustic Envelope of a S...
24. Acoustic Envelope of Hor...
25. Comparing the Acoustic E...
26. Attack with String Instr...
27. ADSR - Attack, Decay, Su...
28. Attack
29. Decay and Sustain
30. Triggers and Gates
31. Releases and More
32. All Together Now
6: Using Voltage Control Filters
33. Filter Types
34. Using the Low-Pass Filte...
35. Assigning Controllers wi...
36. Low-Pass Filter Resonanc...
37. Sawtooths and Extreme Lo...
38. Self-Oscillation
39. Oscillator Modulation
40. Oscillator Modulation wi...
41. The Classic Minimoog Bas...
42. The Classic Minimoog Bas...
43. Envelopes for Filter Con...
44. Using a Second Envelop f...
45. Summery of Envelop Usage
Chapter 3: More About Filters and ...
7: Filters in ES1
46. Velocity Filters
47. Filtering Noise
48. Envelope Following
49. Simulating Wind
8: FM Synthesis in ES2
50. Introduction to the ES2
51. Fundamentals of FM in ES...
52. Vibrato’s and Sideband...
53. Overview of the ES2
54. Definition of a Sideband
55. Harmonic and Inharmonic ...
56. Modulation Index and Dev...
57. Multiple Sidebands
58. Simulating Acoustics wit...
59. Using Multiple Envelope ...