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Logic 203
Logic's Music-for-Picture Toolbox
Learn essential skills for scoring video and film in this comprehensive tutorial by Steve H, a man with over 20 years of experience in making music for moving pictures.
Logic 203 : Logic's Music-for-Picture Toolbox
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1. The Relationship of Time & Tempo
8. Video Compression Explained
20. The Idea Becomes a Score
4. Setting The Framerate
5. Time and Tempo Come Together
CH1: Video and Film Basics
1: Exploring Time and Tempo
1. The Relationship of Time & Tempo
2. Defining Film and Video Tempo
3. Finding the Framerate
4. Setting The Framerate
5. Time and Tempo Come Together
2: All About Movies and Codecs
6. Ways to Open a Movie
7. Yet Another way to Open a Movie
8. Video Compression Explained
9. Different Video Codecs
10. Setting the Start Time
11. Aligning Bars to SMPTE
12. Playing Movie Audio
CH2: All About Music and Audio
3: Dealing with Audio Sync
13. Importing a Movie's Audio
14. Imported Audio Sync Issues
15. Importing Audio Solution 1
16. Audio Sync Big Tip
17. Sync Workflow
4: Making Music
18. Feeling the Music
19. Finding a Tempo
20. The Idea Becomes a Score
5: Adding Audio Effects
21. Hitting Frames With Audio FX
22. Swapping Left and Right Channels
6: Bouncing Stems and Exporting ...
23. Bouncing Stems
24.Exporting Audio to Movie
CH3: Syncing Music to Video and ...
7: The Magic of Markers
25. Auto Detect Cuts Creates Scene Markers
26. Deleting Useless Scene Markers
27. Manually Creating Markers
28. SMPTE Locking Manually Created Markers
29. Navigating with Markers
30. Marker Lists and Notes
31. Mastering the Marker Alternatives
CH4: Music Tempos, Signatures an...
8: Discuvering the Perfect Tempo
32. Using Tap Tempo -Tempo Interpreter
33. Adjusting the Click Settings
9: Adjusting the Gride to the Hi...
34. Beat Mapping to Markers
35. Correcting Time Signatures
10: Syncing Midi Hits to SMPTE
36. Hitting Frames with MIDI Events
CH5: Tips and Tricks
11: Steve's Tips and Tricks
37. The 1/4 Time Signature Option
38. Recording Without Beats and Bars
39. Recording Parts With Expression
40. Naming, Organizing and Aligning Cues
41. One Cue Per Project
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