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Final Cut 5 102
The Science of Final Cut
Setting-up sequences, editing clips, keyframing effects, creating perfect audio, and multi-camera editing ... these video tutorials let you SEE and HEAR how!
Final Cut 5 102 : The Science of Final Cut
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01: Launching FCP The First Time
02: Editing Window Overview
03: Using Window Layouts
04: Customizing The Workspace
05: Opening To An Empty Workspace
Final Cut Pro Basics
WORKSPACE OVERVIEW
01: Launching FCP The First Time
02: Editing Window Overview
03: Using Window Layouts
04: Customizing The Workspace
05: Opening To An Empty Workspace
WORKING IN THE BROWSER
06: Creating A Project
07: Working With Sequences
08: Importing Files
09: Working With Bins
10: Working With Browser Items
11: Using Icon Vs. List View
12: Using The Viewer
13: Locating Clips On Your Hard Drive
14: Opening Clips In External Editors
15: Using The Autosave Vault
16: Locating The Autosave Vault
REALTIME (RT) EDITING
17: About Rendering
18: Rendering Sucks
19: Setting Your Scratch Disks
20: Using Multiple Scratch Disks
21: Exploring Sequence Settings
22: Configuring The Default Sequence
23: Why Do Sequence Settings Matter?
24: Using Unlimited RT
THREE-POINT EDITING
25: Using Snapping
26: Using In And Out Markers
27: Insert And Overwrite Edits
28: Linking Tracks
Video 101
UNDERSTANDING ASPECT RATIOS
29: Aspect Ratio Overview
30: 3:2 Vs. 4:3 Video
31: Creating Square Pixel Graphics
32: Adding an Image Sequence
33: Why's My Video Blurry?
34: DV Camera Aspect Ratio Compensation
16:9 VS 4:3
35: About 16: 9 Video
36: Adding 16:9 Video to a Sequence
37: Square Pixel Widescreen Sequences
38: Anamorphic Widescreen Sequences
UNDERSTANDING TIMECODE
39: Exploring Timecode
40: Why the 1 hour?
41: Drop Frame Overview
42: Setting Drop Vs Non-drop
43: Look Ma, No Dropped Frames!
UNDERSTANDING FIELDS
44: Fields (Interlacing) Overview
45: Examining Fields
46: Fields in Motion
47: Interlacing in Detail
48: Choosing Fields
TITLE SAFE VS. ACTION SAFE
49: Title Safe Vs. Action Safe
Getting Deeper into Editing
ZOOMING
50: Zooming In Detail
51: Using Key Commands To Zoom
52: Opening The Keyboard Layout Window
53: Searching For Key Commands
54: Assigning Key Commands
55: Drag And Drop Key Command Assignment
CLIP EDITING
56: Drag Edits
57: Linking Clips
58: Cut Edits
59: A - B Editing
60: Mind The Gap
61: Three Point Editing
62: Two Track Editing
63: Targeting Tracks
64: Opening The Trim Edit Window
65: Using The Jog Control
66: Using In And Out Points In The Trim Window
67: Roll Edits
68: Using The Selection Tools
USING MARKERS
69: Adding Markers
70: Creating Markers During Playback
71: An Alternate Way To Create Markers
72: Using Clip Markers
73: Setting Marker Properties
74: Using The CPU Meter
WORKING WITH TRANSITIONS
75: Using Clip Overlays
76: Deleting Clip Overlays Copy
77: Adding A Transition
78: Changing The Transition's Duration
79: Adjusting The Transition's Center Point
80: Understanding Handles
81: Using Favorites
82: Using The Default Transition
PLAYBACK TRICKS
83: Using The Number Pad For Playback
84: J, K, And L Playback
85: sing "Play Around"
86: Using "Play In To Out"
87: Looping Playback
Advancing Your Edits
NESTING SEQUENCES
88: Nesting Sequences
89: Nested Sequence Settings
90: Nesting In Place
91: Editing Nested Sequences
MULTICAMERA EDITING
92: Marking A Synch Frame
93: Making A Multiclip
94: Logging Angle Info
95: Using Gang And Open Synch
96: Editing Multiclips
97: Swapping Angles
98: Using The Button Bar To Edit Multiclips
99: Using Key Commands To Edit Multiclips
100: Multi Camera Editing To A Single Audio Stream
101: Organizing Angles In The Viewer
102: Selecting The Number Of Angles Visible In The Viewer
USING COMPOSITE MODES
103: Using Composit Modes
104: Color Correcting With Composite Modes
ADDING VIDEO EFFECTS
105: Working With Effects
106: Using Blur To Create A Film Look
107: Keyframing Effects
108: Ease-In And Ease-Out
109: Using Filter Favorites
110: Deleting Effects
111: Adding An Effect To Multiple Clips
BASIC COLOR CORRECTION
112: Setting Up To Color Correct
113: Adjusting Contrast
114: Adjusting The Color
115: Using The RGB Parade
116: Adjusting Saturation
117: Using The Broadcast Safe Filter
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