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Pro Tools 401
Mastering In Pro Tools
Produced by Multi-Grammy Award winning Mastering Engineer Phil Magnotti, this tutorial shows you how a world-class Mastering Engineer creates BIG sound ...
Pro Tools 401 : Mastering In Pro Tools
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01. Introducing Phil Magnotti
02. Why Master?
03. Fix it in the Mix (If You Can)
04. Cleaning up the Mix
05. Preparing the Bounce and Stem FIles
Mastering in Pro Tools
1: Before Mastering
01. Introducing Phil Magnotti
02. Why Master?
03. Fix it in the Mix (If You Can)
04. Cleaning up the Mix
05. Preparing the Bounce and Stem FIles
06. Bounce to Disk
07. Bounce to Disk Settings Explained
2: Setting Up to Master
08. Starting a PT Mastering Session
09. Routing the Tracks
10. Testing the Track Routing
11. Calibrating Your Monitors
12. Calibrating the Balance of Your Monitors
13. Import the Bounced Files into the Mastering Session
14. A Quick Look at the Files
3: EQ
15. EQ Overview
16. 7-Band Parametric EQ Part 1
17. 7-Band Parametric EQ Part 2
18. The JOEMEEK VC5 Program Equalizer
19. The Pultec Program Equalizer
20. Mid/Side or Mono/Stereo Equalizers
4: Compression
21. Compression Overview
22. A Look at some Compressors
5: Peak Limiting
23. Peak Limiting Overview
24. A Look at some Peak Limiters
25. Signal Flow and Peak Limiting
26. Limiting with Dithering and Noise Shaping
6: Mulitband Compression
27. Multiband Compression Overview
28. A Look at a Multiband Compressor
29. Using a Multiband Compressor
30. Multiband Compressor Techniques
31. Working with Linked Bands
32. Multiband Expansion Overview
33. Upward and Downward Expansion
34. A Look at Mastering Presets
7: Mid/Side Compression
35. Mid/Side Compression Overview
36. Mid/Side Compression
37. Mid/Side De-esser
38. Mid/Side Dynamic EQ
8: Putting it Together
39. The Order of Mastering Plugins
40. Hardware Inserts
9: Mastering
41. High Pass Filter Techniques
42. A Note about Assessing Projects
43. Mid/Side EQ Techniques
44. Mid Range is Key
45. Low Mid Notching
46. Automating the Mastering Plugins
47. Using a Low Mid Dynamic Equalizer
48. Full Band Compression
49. Simulating Analog Tape Part 1
50. Simulating Analog Tape Part 2
51. Setting Up the Peak Limiter
10: Comparing Masters
52. Comparisons to a CD Track
53. Analyzing Clipping
54. Comparing the Mastered Waveforms
55. Final Master of Song 1
56. Final Master of Song 2
57. Matching Songs from Different Studios
58. Final Export before Sequencing
11: Creating a CD
59. Import of FIles into Jam
60. Sequencing the Songs
61. Song Spacing
62. Working with Crossfades
63. ISRC Overview
64. Final Level, CD Text, and PQ Codes
65. Burning the Disc
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